It was back to Games on Demand, again. Miles and I got to try out Maze Rats. I confess I have avoided a lot of the “OSR” space due to encountering so much toxic behavior from that community. That said, this was a simple and fun game, and I may add it to my toolbox along with new-school old-school games like Whitehack, Torchbearer, and Vagabonds of Dyfed.

We also got to try out another card-based RPG. I’m always eager to try these, because I love cards and have been tossing around ideas for my own game for years. Capers is a dual-named game because in it you play both supers (caped, get it?) and are involved in prohibition era-capers.

We had a pretty inexperienced (I think?) GM, so I’m not sure I got a good shake of this game, but I learned enough about how it’s setup to see what I liked and didn’t.

Saturday was also the day I got the David Peterson AKA Mouse Guard commission of our beloved dog Siku!

I started today off with some Games on Demand, and Miles, Christian, and I got to try the Penthouse playset with a couple others. It was epic in both the funny and horrible ways that Fiasco should be. Fiasco at GenCon seems to now be an annual thing for Miles and me.

Then, it was time for our Aecer’s Light Burning Wheel game with Mad Jay. We had a great time, and I’m very interested in what he is doing with the Wolfen and Roden in Burning Wheel. The zine and scenario are going to be great!

I got a chance to swing by the Burning Wheel Headquarters booth and see David Peterson (AKA Mouse Guard) in action, working on the piece I commissioned. That was quite the treat, and I’m really excited about how it is going to turn out!

I also found a good-condition used physical copy of the D6 System book, which you may recognize as the core rules that powered West End Games Star Wars (and other games).

The day ended with a fun dinner with friends. Looking forward to another great day at #GenCon19

I started GenCon off right by going to the gym before opening ceremonies! I am happy of myself!

When the expo hall opened, I made a straight line to the BWHQ booth, as has become my tradition:

• Checked to see if there are any play tests this year (more on that, later)
• Picked up an (additional) copy of Miseries & Misfortunes, to supplement the Kickstarter
• Got the small zine game Catch the Devil
• Most excitedly, I commissioned a toned paper sketch from David Peterson AKA Mouse Guard

Indie Press Revolution is always a good booth to check out physical RPG products. Bonus: they email you a copy of the digital book when you buy physical. I found some great stuff:

• I’m a fan of the Vampire the Masquerade product line (before problems with 5th edition and their catering to abusers and the alt right, anyway). I’d been wanting Beckett’s Jyhad Diary for a while, but held off due to cost. IPR had a nice sale, so I got a copy.
• Also on the Vampire front, they had physical copies of the Prince’s Gambit. This is another type of game I’m always up for: parlor/social-deduction game.
• I also grabbed Companions’ Tale, because it’s a mapmaking and collaborative storytelling game. I like the idea of examining what version of the stories live, too.
• IPR also had physical decks for the small LARP Winterhorn, which is a game where you play the regime trying to stop peace & justice activists. Understandably, this is an educational LARP which can help to threat-model our own activism efforts, examining how we might be more resilient and effective.

I also swung by Posthuman Studios, and picked up my Kickstarter version of Eclipse Phase 2nd Ed. As usual, these folks were really cool to chat with at the booth.

Our coupon book had a free copy of Dwar7s Duel so I had to grab that, because Dwarves. It looks to be a simpler version of Dwar7s Fall, maybe?

And finally, I couldn’t let a GenCon go buy without my customary Timid Monster. These are very cool and I have a little stand for them in my office.

After the expo hall, I enjoyed a hilarious game of Goblin Quest with Miles at Games on Demand, my favorite place to try cool RPGs.

Up next was the update panel from Burning Wheel Headquarters. We heard about what’s going on with the Burning Wheel universe. In summary:

• Torchbearer 2 has a ton of revisions, they’re very excited about it, and they’re looking at how they can get some great playtesting and feedback before publishing
• Miseries & Misfortunes is going to start having some setting, scenario, & lifepath expansions because the 5 years in Paris (1648-1652) is concurrent with interesting things happening in many other places in the world (and is apparently called “the general crisis” by some historians)
• The “secret playtest” we did at #GenCon2018 has had more playtests, and much of the design work is complete, but i’ts been a bit on the back burner as other projects have taken front stage (and the challenging parts of component, art, etc. production have come up)

Tonight, I’ll be joining a big game of Torchbearer that got coordinated via the Burning Wheel forums.

Strange invaders land on the shores of a peninsula known for its independence; rumors about their true purpose are numerous and varied. Two old friends reunite after more than a decade, brought together by a young man looking to advance himself in the world.

Our book is a consolidated collection of Actual Play fiction for a Burning Wheel campaign that ran for more than sixty sessions over the course of two years.

Eloy Cintron was GM. Neil Goodrich (Alistair), Jose Lozada (Aedan), and I (Gyles) were players. Along the way, Neil Goodrich wrote actual play reports as stylized fiction, and the rest of the players contributed some content, as well.

Now, Neil has bound that content together as a beautiful book. Totaling 608 pages, it’s even larger than Burning Wheel itself.

Inside, you’ll find a map of the Braemar Penninsula (courtesy of John Love)

Also, a commissioned picture of the cast (from Marcin S),

It even includes stylized starting and ending character descriptions & sheets.

As we start to go back through the fiction, it’s amazing to see how much foreshadowing there is about how the situation and the characters will turn out.

Because it was my character, I’ve included pictures of how Gyles started out. How he ended was an entirely different picture….

I am really excited about this book. Ask me anything!

On regression in game design

The impact of a mechanically bad rule is usually that refs have to house rule around it, which they love doing. The impact of a socially, culturally bad rule is the propagation of bullshit that we as a culture have been trying to work past and through.

This was my response to Martin Ralya’s concerns about the OSR scene:

Aaron’s comments kind of hit it for me: being defined by “old-school” brings this “remember the good old days?” vibe, which attracts not just people who think fondly of the “good old days” of games, but also folks who think fondly of not having their privilege challenged. This makes it (whether intentional or not) a fundamentally political statement, but also the kind of political statement that carries these “don’t be political” demands which seek to defend any remaining unequal power which they feel is being threatened. I think we’re seeing this play out more and more. To save this community, I think it would need to focus more on the tangibles of the games themselves (what system, design, or theme issues matter to the community?) and less on the nostalgic “member berries”. And it would need a new name that represents those things.