pride, vanity, meaningless crowns

kingdom come let the rest burn down

American Arson - Hammer & Gavel 🎶

🎶 found succinct language to clarify my musical tastes:

don’t confuse a preference for originality or for subversion as a desire for exclusivity

🎶 Heard this new track and thought it sounded familiar.

Oh, that’s because it’s a Jason Köhnen cover of one of his other songs! This one is a doom metal project (The Answer Lies in the Black Void), the original was one of his dark jazz projects (The Kilimanjaro Darkjazz Ensemble). Breakcore next?

🎶 it’s almost Halloween:

Time to break out Daveed Diggs’s industrial rap horrorcore albums:

There Existed an Addiction to Blood

And

Visions of Bodies Being Burned

Or:

watch their NPR tiny desk concert

Yes, Diggs of Hamilton, Snowpiercer, Central Park.

🎶 Ok, think I’m finding my black metal “tribe” and it’s pretty adjective/blackened? (atmospheric/folk/-gaze/neoclassical/post-/progressive/rabm)

Not sure there’s a straight-up black metal on the most-listened list?

  • Ashenspire
  • Agalloch
  • Amiensus
  • Aquilus
  • Autonoesis
  • Exulansis
  • MøL
  • Oak Pantheon
  • Panopticon
  • Reign A.D.
  • White Ward
  • Within Thy Wounds
  • Wolvennest
  • Yovel

🎶 Igorrr is up to some new nonsense, and I’m excited to find out what it is.

Furnace Fest 2024 End of an Era - Sunday #FF24

This was it, the final day of the event. The final show of…ever?

  • Incendiary - solid, though a little simple and went too hard into southern rock for my taste. Liked that the singer was positive and cool about helping each other out in the pit.
  • The Showdown - the singer did the thing where they were very demanding (almost upset?) about what the crowd does. I really dislike this from bands. If you feel like you have to be really pushy with your fans to get more energetic (or whatever) maybe the problem is your music or performance, not them. Do better.
  • Eighteen Visions - not really my thing, but a good show.
  • Boys Night Out - ok. Said this was their first show in 15 years, and singer had good stage chatter. Unfortunately, they cut into Extol’s time.
  • Extol feat. Bruce Fitzhugh - once-in-a-lifetime thing. Bruce talked about how both bands (Extol and Living Sacrifice) had influenced each other. David Husvik (drums) talked about their 98 release of Burial and Cornerstone festival. Mentioned many of those bands were playing tonight (Norma Jean, Blindside, Underoath). This might be a little anachronistic, as even though that was the right era, I’m not sure all of them played that year (and Norma Jean was still Luti-Kriss). Ole Børud’s American English accent is probably better than mine, and I’m native. Bruce had to use notes, but can you blame him? He just subbed in to sing and did a great job with it, all things considered. (more, more, more)
  • Norma Jean - they still got it! Josh Scogin joined for the last song and the place erupted. I’ll add links to my other posts about this.
  • Blindside - did a great job for not being a “tour band”
  • Underoath - great show, mostly tracks from 20th anniversary, but played a few others at the end. Spencer “leaked” that another album is ready and coming out soon. (more)

For later:

I’ll post show recording links here as I run across them. Feel free to send them my way.

🎶 Underoath is about to close it out.

I haven’t seen them since Dallas Taylor and Octavio Fernandez were in the band. Those first three albums are still my faves, but they’ve had some good stuff here and there since then. #FF24

I think they plan to do mostly (only?) Chasing Safety stuff tonight.

🎶 Extol ran out of “trash can wristbands” (after Bruce was throwing them into the audience) but Christer Espevoll gave me his in the booth! 😲 #FF24

red Extol wristband and yellow Furnace Fest wristband

🎶 Extol’s Burial was one of the first real extreme metal tracks I ever heard & enjoyed and it’s still one of the best. #FF24

Thanks for making it all the way from Norway (and Arkansas, Bruce).